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      <image:title>Nonfiction</image:title>
      <image:caption>photo: G. Evans</image:caption>
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      <image:title>Nonfiction - Ampflwang</image:title>
      <image:caption>A new essay just out. About my pilgrimage to the town where my father was shot down during WWII, the elusive territories and games of national identity. The limbo between flight and capture. Memory and speculation. But it’s also about now. Click HERE to get the Winter 2026 issue.</image:caption>
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      <image:title>Nonfiction - Through the Lens of the Littoral</image:title>
      <image:caption>A review of The Legible Element in The Common magazine, by Matt Miller. (image: Wooley Pond, Little Peconic Bay, Long Island, circa 1965)</image:caption>
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      <image:title>Nonfiction - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Nonfiction - Make it stand out</image:title>
      <image:caption>“The Legible Element astounds…At times, bathed in the past, "Django" reminds one of the best essays of E.B. White. The emotional heart of the book, it yields to others on surfing, the sport that inspires Mr. Sneeden to paddle forward on coasts both local and distant. It shapes his life and, ironically, grounds him as an escape from a mutable world and its ephemeral experiences.” —Daniel Picker, in The East Hampton Star</image:caption>
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      <image:title>Nonfiction - July 2023</image:title>
      <image:caption>THE LEGIBLE ELEMENT—A collection of water-centric personal essays, from EastOver Press “…elemental, cerebral, sometimes dangerous, and completely enrapturing for anyone with a love of wild, liminal places.” —Alex Wilson, editor, The Surfer’s Journal “Ralph Sneeden’s lyrical and ontological essay collection […] An inventive and deeply introspective blend of poetry and prose,The Legible Element probes place through the element of water. With keen observations on desire, delight, and dismay, Sneeden beckons his readers to the humbling power of nature.” —New England Review</image:caption>
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      <image:title>Nonfiction - My conversation with John Irving about The Last Chairlift and other things…</image:title>
      <image:caption>This project was an energizing way to kick off my pivot from teaching full-time.</image:caption>
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      <image:title>Nonfiction - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Nonfiction - Memory and the First Coast: California Revisited</image:title>
      <image:caption>This was the first in a series of water-related essays that has been evolving for over a decade, and it has finally found the perfect home at The Surfer’s Journal. Such a privilege to have more work—especially such a long piece— in one of the most inspiring (and gorgeous) physical magazines around. Grab a copy! April/May 2020, Issue 29.2</image:caption>
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      <image:title>Nonfiction</image:title>
      <image:caption>Clockwise from the top: Chilmark (yes, a Mac Plus) circa ‘88, Peterborough, Bridgton, El Dorado, Duxbury, San Diego (Thanks to M. Page for graphic arrangement)</image:caption>
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      <image:title>Nonfiction - “Blaenavon”—</image:title>
      <image:caption>Derelict machinery at “The Big Pit,” Blaenavon, Wales</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56d0ec75356fb00921351db9/1517276017033-4VFFH6LWPWRE7JX5IHBX/Southampton67_0011_2_2+copy.jpg</image:loc>
      <image:title>Nonfiction - "Fostered Alike By Beauty and By Fear: Wordsworth, Montale and the Landscapes of Childhood"</image:title>
      <image:caption>The Little Peconic Bay, right, lagoon to the left. Viewed from the bluff at Jessup Neck, Long Island, New York, circa late-1960's.</image:caption>
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      <image:title>Nonfiction - "The Legible Element: On Hopkins, Surfers and the Selves of Waves"</image:title>
      <image:caption>—AGNI Online June 6, 2016.  AND, reprinted in issue 26.1, February/March, 2017 of The Surfer's Journal</image:caption>
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      <image:title>Nonfiction - “Looking for Ice”—</image:title>
      <image:caption>in The Common magazine, November 1, 2016, Issue 12. A memoir about the dangers and joys of skating, youth hockey, and the tensions between manufactured and natural ice…</image:caption>
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      <image:title>Nonfiction - "Django: Elegies and Improvisations with Small Boats"</image:title>
      <image:caption>Craft in question, before dismemberment</image:caption>
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    <lastmod>2025-01-15</lastmod>
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      <image:title>About</image:title>
      <image:caption>photo: G. Evans-Sneeden</image:caption>
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  <url>
    <loc>http://www.ralphsneeden.com/wind</loc>
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    <lastmod>2025-02-21</lastmod>
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      <image:title>Wind Indicators</image:title>
      <image:caption>Mendocino</image:caption>
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    <lastmod>2025-11-07</lastmod>
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      <image:title>Poetry - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Poetry - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Poetry - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Poetry - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Poetry - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Poetry</image:title>
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      <image:title>Poetry</image:title>
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      <image:title>Poetry</image:title>
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      <image:title>Poetry</image:title>
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    <loc>http://www.ralphsneeden.com/discussion-workshops</loc>
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    <lastmod>2025-08-19</lastmod>
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      <image:title>Discussion Workshops - Make it stand out</image:title>
      <image:caption>The Pacific has robust metaphorical possibilities, for musicians and teachers…</image:caption>
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      <image:title>Discussion Workshops</image:title>
      <image:caption>Clockwise from top left: tools of the observer’s trade, world’s biggest invisible roundtable attempt, debriefing after “class” in Jackson, MS.</image:caption>
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      <image:title>Discussion Workshops - Make it stand out</image:title>
      <image:caption>After small group work, the culminating final session (Pacific Ridge School, Carlsbad, CA)</image:caption>
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      <image:title>Discussion Workshops - Make it stand out</image:title>
      <image:caption>For a deeper dive into the origins of my dedication to the discussion-based classroom, click this image to read my essay, “The Cooperative Wave”, included in the anthology published by my former employer.</image:caption>
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      <image:title>Discussion Workshops - Make it stand out</image:title>
      <image:caption>Post-workshop revels at Southridge in Surrey, BC (2012).</image:caption>
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      <image:title>Discussion Workshops - Make it stand out</image:title>
      <image:caption>Contending with the distraction of a panoramic view. West Cork, Ireland. On a retreat with the Memphis University School’s English department (June, 2025).</image:caption>
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    <lastmod>2023-01-31</lastmod>
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      <image:title>Writing Workshops</image:title>
      <image:caption>TOP: At the North Shore Young Writers’ Conference at Waring School in Beverly, MA with Kevin Carey and Colleen Michaels. BOTTOM: A session at the Damariscotta Lake Writers’ Conference Kieve in Nobleboro Maine.</image:caption>
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    <lastmod>2024-03-11</lastmod>
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      <image:title>Books</image:title>
      <image:caption>Cover photo: Kenny Hurtado</image:caption>
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      <image:title>Books</image:title>
      <image:caption>Cover photo: “Santorini” by Katina Houvouras</image:caption>
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      <image:title>Books</image:title>
      <image:caption>Cover image: “Eaton’s Neck” (John Frederick Kensett, oil on canvas, 1872)</image:caption>
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    <lastmod>2025-05-12</lastmod>
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